Timothy Treadwell lived unarmed among the bears for thirteen summers and recorded his experiences in the wilderness during his final five seasons. In October 2003, Treadwell's remaining parts were found near their campsite in Alaska's Katmai National Park and Preserve, along with his significant other, Amie Huguenard. By using solidarity, surface, and succession as visual components of the film, the executive further strengthens his thesis. Using the sentiment of the exposition portion, Herzog clearly shows Treadwell's enthusiasm for working with the bears and provides a solid argument acknowledging the work he had accomplished. The visual components, solidarity, surface and succession take on an innovative role in Herzog's film as they unequivocally define Treadwell's intentions. From the film I learned Herzog's main lesson; though Treadwell's adoration of the creatures is laudable, when he failed to see the threat he put himself in it was, inevitably, foreshadowing his demise. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Throughout his life, Treadwell has always been very interested in bears. During Treadwell's parents' interview in the film, his parents explained how he built a relationship with his mother dependent on their shared love of creatures. They explained how Treadwell struggled throughout school for a long period of time, and his affinity for the camera was shown when he moved to Hollywood and appeared as a challenger in Love Connection. He later faltered in broken bonds and substantial drinking and developed an enthusiasm for grizzlies. For more than 12 years he has recorded grizzlies and his communications with them near Katmai National Park in Alaska. He visited numerous elementary and secondary schools sharing his encounters and learning about grizzlies, became an advocate for grizzly conservation, and founded the nonprofit Grizzly People. Treadwell never sufficiently understood that this unbalanced subject-object relationship would never work in reverse: the grizzlies would never end up like him. Furthermore, Herzog is careful not to conclude the subject of his story. While aware of the dangers, Treadwell attributed human-like characteristics to bears and sought an otherworldly bond with them, but this "bond" ultimately reversed his reflections on the real world. The film was just an investigation into Treadwell's character. Treadwell is uncorrupted and has a risky enthusiasm for bears that borders on insanity, and Herzog is focused on that angle. Herzog carefully develops the film with the aim of making us see the reality of Treadwell's enthusiasm, and to see how he moves further and further away from rational solidity. The film never romanticized Treadwell, nor sentimentalized nature, despite those being two of the simplest activities. Rather, Herzog uses Treadwell's tale and designs a story that focuses away from the possibility of concordance with nature, toward the turmoil of the universe. In one specific scene, Herzog simply inserts himself through the depiction to call attention to what cannot help but contradict Treadwell in his belief that nature is pleasant. Please note: this is just an example. Get a custom paper from our expert writers now Treadwell's experiences among his grizzly loved ones were also a kind of execution, based on falsehood and truth and occurred in the VIP phase. Even though his decisions were dangerous and ultimately deadly, he followed them in typical American fashion.