IndexAnalysis of a sequenceStaging and shooting techniquesContent of the dialogueColorsPositioning of the sceneThe film faces two problems. The first is cinema in particular and cinema in general. According to couple problems and the dissolution of marriage. Godard is considered one of the most important directors of the French new wave or (La nouvelle Vague) and this is true for a number of reasons: Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay He is the most productive of all the new wave directors He is the most experimental of all the new wave directors trying new genres, new techniques, new formats, even mixing different genres He is the most theoretical or verbal constantly giving interviews , writes and provokes provocations about his vision of cinema. The sequence to be analyzed in this presentation is from the beginning of the film. Analysis of a SequenceAlthough Contempt is an adaptation of Alberto Moravia's Il desspreto the opening sequence shows us all the things that cinema can do and literature cannot do. We note that the credits are spoken and not written, a very rare practice in feature films that draws attention to the activities involved in making the film George Delerue wrote the music William Civil recorded the sound DOP Raoul Coutard and so on. This innovation characterizes Godard's approach which emphasizes the questioning of all the conventions of cinema, even the most banal ones such as the credits should always be written and not spoken. The first shot shows us part of the most famous studio in the world, Cinecittà in Rome, founded by fascists in the late 1930s under Mousseline, directors such as Rossellini and Fellini made their debut there. Staging and filming techniquesA small number of human figures and a camera advance towards us from the depths of space. The camera comes onto the tracks calling attention to a technique known as (tracking shot) which is used frequently in the film. While the action camera is in static mode as the subject approaches, we notice a slight pan to the right and a tilt up. And at the same time as Raoul Coutard, the famous cinematographer responsible for films like Breathless and Jules and Jim, controls the theater of lights and moves the camera towards us while we simultaneously hear André Bazin's famous quote (the cinema substitutes for notre aware un monde qui s'accord a nos wish) cinema replaces our gaze with a world more in tune with our desires. Here Bazin's quote is so important and interesting because he argues: Cinema is about desire. And furthermore, That Contempt is a film about that world which is the world of cinema and its connection with the world of desire. Jean Luc Godard draws attention to our desire of the spectators preparing the sequence we are about to see which involves a bedroom and nudity. As for the technical passage, we note the framing of the bedroom scene and the camera angle that we see on the screen as if it were the camera of the next scene. Here we are introduced to the two main characters of the film Paul played by Michel Picolli and Camille played by Brigitte Bardot. The dialogue begins in the middle thinking that Camille answers a question that we have not heard about Godard's provocative habits by making the spectator work as in involving the spectators by making them reflect on whether by forcing us to fill the missing part of the dialogue with our imagination and/or in other situations by making the characters whisper. Contents of the dialogue The two immobile lovers mingle by purchasing.