"Discuss how the distinctive visual characteristics of 'The Shoe Horn Sonata' by John Misto, and ONE other related text of your choice, convey distinctive experiences" Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The distinctive experiences of women captured by the Japanese during World War II and the plight of the homeless in cities like New York and Sydney are depicted in a distinctly visual way in John Misto's play "The Shoe-horn Sonata" and in Van Genderen's short film "Mankind is no Island". Typically visual images are emphasized through a variety of different techniques such as framing, linguistic techniques, lighting, images, images and music. All of this is used to create the signature experiences of survival, hope, injustice, and friendship expressed in “Shoe-horn Sonata” and “Mankind is no Island.” John Misto uses the injustice committed against vulnerable groups as a reminder of the inflicted pain and suffering. Injustice in the 'Shoe-horn Sonata' is projected through the image of Australian and British prisoners dressed in rags from camp-style beds (Act 1 scene 1), to emphasize the dirty environment during their imprisonment. This is depicted through the low lighting on the empty set, which creates an eerie atmosphere and draws attention to Bridie as she enters the set. The deafening sound of machine gun fire and women's screams in the diegetic soundtrack create a sad image of the Japanese officers taking part in this injustice against innocent women. It describes how human life is seen as useless and expendable. There is also the injustice of the British Empire against women, confirmed by the colloquial language, "the English were a bit dull", this is a criticism of the British resistance in evacuating women. However this injustice is not only seen by the British Empire, but also by the way the Australian government has neglected Australian nurses. This can be seen through the dialogue, "Japanese destroyers had been spotted in the area", this shows the carelessness of the empire which put innocent women in danger and how the government actually caused the women to be captured. Mistos also uses the superstitious event "it was Friday the thirteenth. Friday the thirteenth" to show the danger the women were in. The injustice can be seen not only by the Japanese but by the British Empire and the Australian government, this allows the public to understand that they are equally hostile and shows that no one is safe. Van Genderen's "Humanity is Not an Island" portrays society's injustice towards homelessness in Sydney and New York, but also shows survival and hope. The fact that the film was made solely through a cell phone camera creates a dialogue about society's attitude towards the homeless population of Sydney and New York. The overhead and eye-level shots of the homeless show how they are ignored and neglected by society. Music also integrates visual actions and dialogue, shows the multiple interpretations of society, hope, injustice and ignorance. The soft melody, transitions to the fast melody, “mothers, boy, father” engages the audience and incites empathy, relating to the family they may have once had. The use of low angle shots of the statue of Jesus symbolizes hope and power because he is a great biblical figure, the heart shaped balloon symbolizes love and hope in both cities and emphasizes that hope is not lost. However, the deflation of the balloon that rolls along the.
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