The medieval period introduced many new techniques and media into the art world. Sculpture, illuminated manuscripts, stained glass, mosaics and metal objects were widely used in the 1000 years of the Middle Ages. Many artists of these times were still influenced by the life of the Roman Empire and the iconography of Christianity. After the Byzantine era, art continued to interact between classical elements and individual aspects. The art of the Romanesque and Gothic periods varies and the best comparison is between the art we see in Saint-Pierre and Chartres Cathedral. The Old Testament Lions and Prophet (Jeremiah or Isaiah?) and St. Theodore are two sculptures best represented by their individual characteristics and artists' period stylizations through varying degrees of rendering, location, and personalized attributes. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The arrival of the Romanesque style corresponds to the popularity of the spread of the Christian faith, so religious sanctions became more required. Saint-Pierre in Moissac, France, was an important stop along the pilgrimage route to the tomb of Saint James. The monks settled there, they greatly adorned this church with many relief sculptures and other decorations that showed their pride and commitment to God. Although Christ was the motif of most of the portals, the south portal of Saint Pierre also housed trumeau figures such as the lions and the prophet of the Old Testament (Jeremiah or Isaiah?). Art historians have been unable to identify the figure seen by viewers, but have narrowed it down to Isaiah or Jeremiah. The closed eyes mean he is having a spiritual vision, in this case as a prediction from Jesus holding the prophecy. The scroll in his hand is also an indication of his vision. Even the curled beard on the trumeau sculpture is a sign of a philosophical and spiritual connection. In contrast to the physical characteristics of Roman and Greek relief sculptures of the past, this dignitary was sculpted with elongated features. He is very tall and thin, very compact next to six lions; lions were often associated with courage, often as protectors of temples and tombs. There is an indication of the shape of her leg under the garment, but it is still very stylized with linear qualities in the folds that we also see in illuminated manuscripts as opposed to the art we see in the Gothic period. Churches were often burned during the Middle Ages period, those including the Chartres Cathedral in Chartres, France. The eastern part of the church has maintained the characteristics of the first period, while the western façade has strongly Gothic characteristics. Along with the emphasis on light and height, flying buttresses were introduced. The south transept of Chartres Cathedral further demonstrates the High Gothic style. Inserted in the Portico of the Martyrs it housed an important statue on the doorpost, San Teodoro. Although he is a saint, he is presented as a soldier as described by the clothes he wears. The men of the Crusades typically wear armor and robes, nothing like what a Saint would wear. It challenges entrenched iconographic representations, but that's also what makes it most interesting. Although the statue is still attached to a column, it does not constrain him in his position. St. Theodore's pose, sway or gothic stoop and youthful quality are also far from what we see from the Old Testament Prophet. Each piece has its own artistic qualities, but Saint Theodore and the Lions and the Prophet of the Old Testament also share the same techniques. In both it comes.