In Arthur Miller's comedy All My Sons, Kate Keller - Joe's wife, Chris and Larry's mother - shows the audience that, in the end , she is still primarily concerned about her family rather than paying her due tribute to the rest of the world. Kate reveals her true nature to the public, just like Joe does. Subsequently, and despite such revelations, the public does not fully sympathize with his values. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Throughout the action of the show, Kate tries to undermine the character she deems weakest: Ann. Every time Ann tries to reason with Kate, she refuses to listen. His mind is too congested to insert any other reason, and perhaps one reason for this mentality is that he has tried so hard for too long to block the light of reason and morality from entering. In this play, one of the brightest lights is Ann. She brings the letter, acting as a deliverer of the truth, and its arrival essentially destroys everything. In the opposite direction, Kate clings with all her might to the only belief she believes is "true": Joe is not guilty, despite Ann and everything she symbolizes. Starting with "You've put on a little weight, haven't you darling?", Kate continues to bombard Ann with requests to pack her bags and leave, then with an explicitly spiteful "You're leaving in the morning and we're not going alone. This is your life, this it's your lonely life. There is a clear pattern in these two sentences that involves repeating the first part of the sentence, and then adding something else in the second sentence ("going", "going alone"; "life", " lonely life"), both related to loneliness. That repetition in turn emphasizes Kate's self and her unhealthy repetition patterns, since she has long sensed that revelation is not too far away, perhaps since she said "You must above all believe, you...". She knew that loneliness would torment her in some way, but instead tries to attribute this quality to Ann. The audience should somehow perceive this unpleasant situation, arousing pity for Kate. However, Kate insists : “How did he die? You're lying to me. If you know, how did he die?" The more persistent he is, the less sympathy he will get from both his companions and the public, and this in itself would lead to loneliness. The loneliness will increase as the public begins to realize that Ann symbolizes community , not family, truth, not lies, and love, “not loneliness” when she sympathizes with Joe, as she chooses to spare him by reading the letter. “[Kate] grabs Ann’s wrists” with the clear intention to put pressure on her; here Miller intends to make the public lose affection towards her as she resorts to violence, immediately after the war, in a family where past actions are intimately linked to the war, Kate is a cunning woman, intelligent and manipulative. She is the one who represents capitalism the most: she knows what she wants, she gets what she wants and she knows how to exercise control. When there are problems and her object of manipulation, namely Joe, panics, evades the conversation, saying “Don't ask me, Joe,” an imperative that shows who he is: a controlling person. Next, he says “whenever you trouble, yell at me”: this statement turns him into a victim in an instant. The audience takes this hint and notices his power. Kate, in fact, does everything to achieve her goal – a sign of practicality, and the emblem of capitalism – without caring in the slightest about the outside community Arthur Miller shows this side of Kate in subtle dialogue, such as when Kate tells Joe: “don't apologize if you did it for the.