The success of architects is defined not so much by the problems they face but by the act of their creative and practical responses. In bombed Berlin, a new architectural language emerged. It appears with multiple contradictions, but not conflicts, from itself to its surroundings and within its own construction. This is the Jewish Museum in Berlin, presented by the young Daniel Libeskind in a competition to provoke the unpleasant history of Berlin immediately after the fall of the Berlin Wall in 1989. The Western tradition of museum building is distorted by its expressionistic form, not simply to house the remains, relics, art display, stands naked, untreated to house the ghost of German Jewry, a rare opportunity to visit an empty building for its such high profile budget. The challenge is to excavate the memory that was already there but suppressed by the disturbing medium of contemporary architecture. This essay analyzes the capture of a spiritual existence from a part of past Berlin and the museum's ability to address one of the most profoundly tragic events of the twentieth century, the Holocaust, in its use of light, materials and structural frameworks. construction methods. Furthermore, this study is an attempt to evaluate Libeskind's response to the concept to reveal its implications in its form and spatial quality. This project is also an opportunity to examine the interdisciplinary character of architecture by combining socio-cultural relations, psychology, history, theory, music, material methodology, vision, etc. In order to do so, the architect's background and his process operations The problem will be briefly studied, then its solution in dealing with the res...... middle of paper ......f structure, a museum. The only contradiction in contemporary design theory that Libeskind dares to fight is that working in the next century means working with reduced means. His works convey optimism in the sense that architecture, if filled with a satisfactory amount of reasoning and justification with the help of progress in material technology and, above all, with creativity, will be able to address the depths of any project that you are looking for a poetic. incarnation. While modern architects sought to eradicate traces of history from forms, postmodern architects like Liberskind would embody traces of history between forms. In Lisbeskind's Jewish Museum, invisibility, implication and embodiment come first, then the advancement of material methodology helps build visibility and physical infrastructure.