Due to geographic isolation and sparsely populated factors, New Zealand has been symbolized as the lone man trope. Furthermore, the harsh life and cruelty of the colony was a factor that created a stubborn culture of self-reliance and individuality. Although the rapid development of economy and diplomacy has brought a new perspective to this country, the fundamental problem of New Zealand culture still exists. This article argues that New Zealand has remained mired in self-imposed cultural isolation due to its over-reliance on other foreign cultures and inflexible persistence on traditional cultures, expressed especially in New Zealand films. Firstly, I argue that New Zealand has an over-reliance on foreign culture, particularly the UK. Because the history of New Zealand's relationship with the United Kingdom closely mirrors the history of New Zealand's growth as a modern nation, New Zealand today has a distinctive identity, forged from the twin strands of indigenous Māori culture and British heritage, but it also incorporates many influences from a wider region. Furthermore, as a nation of immigrants, New Zealand has moved towards cultural diversity. As well as foreign languages ​​spoken/written/published on New Zealand television, radio and other print media. More and more foreign factors (especially Asian) appear in New Zealand films, some even use Asian as the main character such as My Wedding and Other Secrets. However, foreign and local cultures are like oil and water that essentially do not mix. For example, Maori eat fast food, watch movies and wear fashionable clothes like other people do nowadays, which seems to make them accept foreign cultures quite naturally. But, on the contrary, many people who spend a large part of their lives in... middle of paper ......p on stage in a remote and inaccessible place, films like Eight Below (2006) and Nói albínói (2003) they offer greater meditation on human life and desires. And the reason I think The Whale Rider is a milestone in New Zealand cinema is that in this film Pai and his grandfather's journey together reinforces the importance of Māori beliefs and generational teachings. I didn't see much discomfort in this film; moreover, it shows fresh blood: young Maori are starting to approach their culture with honesty and respect. I was moved by the spirit of the people in that community, and I think that's what New Zealand films increasingly need to bring to audiences. National cinema is a perfect platform to portray the beauty of the country's culture and ethos. Personally, it's a shame to see an isolated image of New Zealand in most New Zealand films.